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Bruno Bianchi+an original Inspector Gadget sketch he did for a fan, at the occasion
of Inspector Gadget's 25th anniversary. Fanny's Party, November 4, 2008. |
A piece of unbelievably sad news reached me earlier this week: Bruno Bianchi - the co-creator, supervising director and main character designer on
Inspector Gadget - passed away last Friday on December 2.
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Above and below: Bruno Bianchi surrounded by a few of his fans
while giving a joyful video interview at the occacion of Inspector
Gadget's 25th anniversary. Fanny's Party, November 4, 2008. |
I first heard on
Cartoon Brew Biz, which had gotten the news through
Animation Magazine. According to several sad
postings on French sites, the cause of death was cancer. He was 56 years old. That is just way too early to go, not least for such an amazingly creative person. Bruno is and will forever be one of my heroes within television animation. With the shock of him gone still pretty fresh in my mind, I've decided to use this post to reminiscence about my personal favorite cartoons from his impressive career. First, let's talk a little about his creative contributions to my favorite among all (yep, you guessed it):
Inspector Gadget.
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Another original sketch by Bruno.
Fanny's Party, November 4, 2008. |
This is an appropriate place to start because, as many of you probably know, Bruno's
very first directing gig major breakthrough as a cartoon director/creator came with
Inspector Gadget. He started out at Jean Chalopin's French animation studio DiC Audiovisual in 1977, first as a cel painter, then working his way upwards to animator, storyboard artist and ultimately director. Aside from directing or co-directing the entire original Inspector Gadget series, Bruno also served as Gadget's leading character designer and - not least - as the third of the show's creators, after Andy Heyward and Jean Chalopin. I'm inclined to think that his important work as Gadget's visual designer was what landed him the creator credit. Because - while Jean Chalopin is credited with developing the show's scenario and universe - it seems pretty clear to me, from all accounts I've read, that Bianchi was the most important voice in defining the visual side! All the primary characters - Gadget, Penny, Brain, Dr. Claw and Chief Quimby - went through his hands as chief character designer. He established a look for the show which was a unique mixture between classic American cartoon traditions, the humous French comic book style (Asterix, Lucky Luke etc.) and Japanese animé. Think about that for a second. Inspector Gadget was a French-American-Japanese co-production... and all of these countries are represented through the designs of the main characters! Have a look:
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| Inspector Gadget - original 1983 model sheet (rough) |
Gadget's design, his face and nose in particular, clearly has its roots in the style of French comic book series such as Asterix... which I feel pretty certain Bianchi, being a Frenchman, grew up with and was influenced by.
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| Brain - original 1983 expression sheet |
Brain is a pure cartoon animal, closely linked to the squash-and-stretch traditions of Hollywood cartoons.
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| Penny - original 1983 expression sheet+screenshot from the episode "The Japanese Connection". |
And then there's Penny, whose design - in the face and especially the eyes - reflects Japanese anime. The model sheets (left) don't quite show it off as well as the animation in the show (right), but the anime-ish eyes and some of her expressions are already there.
I've been fascinated for a long time by this; how each of the three main characters in
Gadget actually seems to represent one of the countries co-producing the show! Makes you wonder if Bianchi planned it consciously when designing the characters... perhaps to make the show more fun to work on for the various production units across the globe.
The word
fun brings me to an extremely important part of Bianchi's work as a cartoon director: a sense of pure fun.
Inspector Gadget may not always be the laugh-out-loud
funniest show on the planet (even though it can be hilarious at times) - but, at least during its first season, it was almost always
FUN. There is a difference between the words "funny" and "fun"... and I'm mentioning it, I think, to talk about Bianchi's wonderful energy as a director. Because, admittedly, Inspector Gadget WAS
his very first outing one of his earliest major projects as a director - and especially some of the early episodes have their clumsy moments
revealing that the director was new at his job. But Bianchi quickly picked up steam - as the rest of the show crew probably did, too - and as Gadget's first season progressed, Bianchi's direction became much more fast-paced, loaded with energy and throwaway gags. These ingredients kept Inspector Gadget fun to watch
despite the occasional clumsy timing, and despite the occasional gag falling flat or not completely making sense. In fact, I think this was part of the show's charm. Inspector Gadget is, to be honest, an incredibly silly cartoon show with a lot of logical flaws, and once you start looking for logic, everything falls apart. But the great humor and energetic execution of the show overcomes it all.
When I first started watching Inspector Gadget, of course, I was a little too young to analyze it like that. But the show always meant great fun to me... and it represented a unique form of entertainment. I remember that when I first came across Inspector Gadget at age 11, I had never seen anything quite like it before. Great characters, funny gags, an idiotic but yet brilliant premise - and, not least, all the cool touches! (Gadget and Claw's awesome vehicles; the fact that Dr. Claw's face was never seen; the fact that Gadget was really an idiot, though a lovable one; Penny's action scenes; Brain's never-ending and highly sympathetic struggles to save Gadget...) So much was going on in almost every episode - and the show also made a habit of throwing in additional quirky gags which not really added to the plot, but added fantastically to the entertainment value and the characterizations. I instantly loved the fast-paced, gag-filled nature of the show. It was a wonderful blend of action and humor, and I think Bianchi's contributions as a director had a lot to do with that.
The first time I ever came across Inspector Gadget was on television way back in 1999.
I accidentally changed the channel to it midway through the episode "Monster Lake" -
and was hooked immediately. Skip to 2:05 in the above video to watch the great
scene that introduced me to Gadget, Dr. Claw, Penny, Brain and M.A.D. Cat...
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Speaking of weird touches: why the heck
is there a human face on that bathing ring at bottom left?!
I have no idea,but I love it! From the episode "Sleeping Gas". |
While Bianchi's direction and design work on Gadget would in itself make him a legend, he will probably be remembered just as much for the long line of other shows he did in the 80s, 90s and 2000s. Personally, my first exposure to Bianchi's work came long I had even heard about Inspector Gadget... when I was about nine, I think... through a delightful show called
Heathcliff (better known today as
Heathcliff and the Catillac Cats) from 1984-86. It was partly based on Geo Gately's delightful comic strip, of which I was a fan as a kid. This cartoon show - like
Gadget - has gone on to become one of the best-loved collaborations between Bruno Bianchi and Jean Chalopin. Aside from directing, Bianchi also co-created the stars of the show's second segment, The Catillac Cats, who became popular in their own right. (The videos I rented as a kid only featured the
Heathcliff parts, though, so back then I only knew those of the Catillac Cats who occasionally appeared in the Heathcliff 'toons.)
Heathcliff doesn't hold up for me today quite as well as Gadget does... but it was still a pretty enjoyable show, with lots of gleefully cruel slapstick violence and, again, a great feeling of fun. Below you'll find the intro, as well as one of my favorite
Heathcliff episodes from way back when (although I initially watched it as part of
Heathcliff: The Movie):
A few years later - at the same time as I first discovered
Inspector Gadget on one of my Norwegian channels, and forever fell in love with it - I simultaneously became a fan of one of Bianchi's other shows (which usually aired right before
Gadget):
Iznogoud (1995), about the grand vizir who wants to become sultan instead of the sultan! Bianchi produced and directed this series, that was an adaptation of the famous French comic strip created by René Goscinny (of Asterix fame) and Jean Tabary. But Bruno Bianchi's cartoon adaptation from the 90s made me a fan of
Iznogoud long before I read the comic! In fact, even though the original comics are ultimately better, the cartoon series captures the strip's quirky humor and satire to an impressive degree... as do the excellent character designs and animation, even if they're not quite as free-wheeling as Tabary's ink lines. And I just love the intro. Below is the first half-hour episode in English (I still distincly remember watching the second half's cartoon, "Hat's Off!").
I hoped you enjoyed some of my personal remembrances of Bruno Bianchi's cartoons. Although I haven't seen anywhere near all the series he's done, I have fond memories of all the above-mentioned shows. This has been a bittersweet post to write. Sweet because I've long had in mind to do posts about Inspector Gadget's creators, and it felt good to talk a little about the personal impact Bianchi's work had on me. Bitter because I wish this hadn't happened at all. Bruno shouldn't be gone.... he should still be with us, out there, creating new cartoons for new generations to enjoy! Thankfully, though, his best work will live on forever. What more can I say? Well, this, for one thing: Thanks, Bruno - for everything. I'll never forget all the fun.
This post may be updated during the next days with additional pictures, videos and thoughts. For now, though, I just wanted to get these thoughts about Bruno out there. I also hope (if I get the time) to do more posts about him, showcasing drawings, photos and even more videos and other shows he's done. Last, but not least... if any of you would like to share your own memories of Bruno Bianchi - either of him as a person, or as a fan of his work - I'd love to hear them.
EDIT (February 19): This post has been modified slightly. I originally wrote that
Inspector Gadget was Bianchi's first work as a director... but this proves not to be true. Check out my post about a cartoon show he directed three years before Gadget at
this link.
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